Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Henri Toulouse-Lautrec
The Reading Room at the Chateau de Malrome

ID: 01747

 Henri  Toulouse-Lautrec The Reading Room at the Chateau de Malrome
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 Henri  Toulouse-Lautrec The Reading Room at the Chateau de Malrome


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Henri Toulouse-Lautrec

  Related Paintings of Henri Toulouse-Lautrec :. | La Loge | Woman in a Corset Woman in a Corset -y | Clowness Cha-u-Kao | Training of the New Girls by Valentin at the Moulin Rouge | Dance to the Moulin Rouge |
Related Artists:
Taddeo di Bartolo
Italian Gothic Era Painter, ca.1362-1422 Italian painter. Taddeo, son of the barber Bartolo di Mino, was under 25 in 1386 when he was first recorded, painting statuettes of angels for the new choir-stalls in Siena Cathedral. In 1388-9 he was a counsellor to the Cathedral Works and in 1389 he was first listed as an independent painter. His earliest dated work is the polyptych of the Virgin and Child with Saints (1389; sold London, Christie's, 8 Dec 1950), painted for the chapel of S Paolo at Collegarli, near San Miniato al Tedesco.
Thomas Ender
(3 November 1793 Vienna - 28 September 1875 Vienna) was an Austrian painter. He was twin brother of Johann Ender. He also studied at the Vienna Academy, becoming a noted landscape painter. He won the grand prize at the Vienna Academy in 1816. Going to Brazil in 1817, he brought back nearly a thousand drawings and water colors. He visited Italy, Palestine, Greece and Paris. In 1836, he became corrector and later professor at the Vienna Academy, filling that chair until 1849.
Felice Giani
Italian Neoclassical Painter, ca.1758-1823,Italian painter and draughtsman. He was a prolific painter who, with a team of artists and craftsmen, decorated palaces and public buildings in Rome, Venice, many cities in Emilia Romagna (especially Faenza), and in France. He worked in a distinctive Neo-classical style, creating sumptuous, richly coloured rooms, the paintings on walls and ceilings being surrounded with a wealth of antique ornament. Despite the turbulent era of revolution and war (1789-1815) he never lacked commissions, for which he chose subjects from the literature and history of Greece and Rome that were symbolic both for him and for his patrons. He was a prodigiously talented draughtsman, who drew constantly,






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